In-ears testados:
Sennheiser ie8 (análise)
Sennheiser CX500
Sennheiser CX310 Adidas(in-ears para desporto)
Sennheiser CX300II
Sennheiser CX270
Fisher Audio dba-02 (análise)
Ficher Audio Eterna V2
Jays q-Jays
JVC Victor FX500 (análise)
Earsonics SM3 (análise - tópico de discussão)
Earsonics SM2 (análise - apresentação)
Panasonic HJE-900 (em preparação)
Ultimate Ears Super-fi 5 (em preparação)
Apple in-ears (ADDIEM)
Klipsh Image S4 (branco)
Hifiman RE-0 (análise)(comparativo)
Phonak Audeo PFE112 (em preparação)
Xears/Playaz (vários modelos)
----------------------------------
Westone UM3x (testado no I Encontro)
Shure SE530 (não esteve)
ATH-CK10 (o pinypon apesar de não poder estar presente, também nos pode dar umas indicações acerca dos ATH)
JVC-Victor FX700 (o pinypon apesar de não poder estar presente, também nos pode dar umas indicações acerca dos Victor)
Fontes:
iPhone 3G
Sansa Clip+ (tópico)
iPod Classic 120Gb
MBP+Amarra
Sony X1050
Sony D-NE10
Participantes:
strikereg
joaocb40
MMC
Mr_John_Doe
Não pôde estar no 2º Encontro:
Gastronomic
Álbum de teste
a. - "Open Your Ears" - The Ultimate Test Disc for Headphones - HDTracks/Head-Fi
a.1 - "Spatrial Depth, it's all in your head - Percussion Imaging Test, Best of Chesky Jazz and more Audiophile Tests Volume 2
This time, we-re going by the numbers. You will hear Richard Crooks playing in a large and reverberant recording studio at 3, 6, 9 12, 15, 30 and 70 feet away from the microphone. As the distance increases, you will hear more and more room sound, that is, the sound of the drums filling the studio. Do your headphones let youhear the depth encoded into thesse recordings? The drums are also extremely dynamic. They're a tough test for any headphone and amplifier"
a.2 - Teste do imaging: "Out-of-Head Imaging" - "Gadamaylin", Of the Marsh and the Moon - I-Ching
"Out-Of-Head Imaging - The birds and low murmuring voices first heard on "Gadamaylin" should sound far away, well outside your headphgones. Later, the high ringing tones should float free in space. through the track, you should hear a marked contrast between close and distant sounds. "Gadamaylin" also has remarkable front and rear spaciousness"
a.3- Midrange Tonality, natural as can be - "Stuck in a Moment You Can't Get out Of", The Persuasions Sing U2 - The Persuasions
"It's a thrill to hear the Persuasions' pure a cappella treatment of U2's best tunes. The recording is as straight ahead as you can get - just a bunch os guys singing around a very special microphone - within the natural acoustic setting of St. Peter's Church in New York City. If your Headphones are up to snuff, the men's voices should sound like, well, voices."
a.4 - Low-Level Resolution, hearing the subtle stuff - "Money", Jazz Side of the Moon, The Music of Pink Floyd - Seamus Blake, Ari Hoenig, Mike Moreno, Sam Yahel
This is really amazing. Listen to the way Ari Hoenig's drums convey the very start of this familiar tune. The drums are way over on the right, and the subtle shading of each beat and the way they fill the acoustics of St. Peter's Church should be very clear. It's all pretty quiet stuff and a rather demanding test of your headphone and headphone amp's low-level resolution.
a.5 – Transparency, see-through sound - "Get Behind the Mule", Rough & Tough – John Hammond
Transparency, see-through sound - Low distortion plays a big part in waht audiophiles call transparency. It accounts for the sound's purity and clarity. Low noise and fast transient response are also part of the mix. Over the best headphones, Hammond's full-throated voice and clear guitar should sound fully presente and real. Of course, no headphone is perfect, but the ones that get closest to that ideal are the most transparente.
a.6 – Visceral Impact, feel the sound- "Saré Tete Wa", Love Drum Talk – Babatunde Olatunji
Visceral Impact, feel the sound - On this track, Olatunji and the other drummers' beats are as much felt as they are heard. This sort of power isn't easy to hear over headphones, but the best ones convey the drums' impact and palpable texture. The headphone amplifier can make a huge difference with this sort of demanding program material; the best headphone driven by a puny amp will constrict the drums’ power.
a.7 – Center Focus- "Texas Ranger", Four Marys – Rebecca Pidgeon
Many headphones do not localize center images well, but some tend to sound monophonically claustrophobic. That certainlyshould not be the case with Rebecca Pigdeon's track. Her voice should appear within the sounstage flanked by a fiddle and banjo. The centered voice and instruments should have equal focus and presence within the sound stage.
a.8 – Palpable Detail and Texture - "Concerto for bassoon and Orchestra, Movement 3", Urban Concertos – David Chesky
Listen for the palpable realism of the handclaps right from the beggining of the track. It's just the right combination of quick transients and tonal accuracy we're looking for. Handclaps should have a fleshy, human quality that's very distint from other percussive sounds. The bassoon’s full and rich sound isn’t the easiest to get right, but when you hear it, you’ll know it.
a.9 – Rhythm, do your headphones swing? - "Hajji Babba", Calypso Blues – Monty Alexander
Rhythm, do your headphones swing? - This one's a little touher to explain. Other aspects of sound quality are somewhat easier to quantify.Rhythm, however, is more a matter of energy and time. That is, does the music set your body in motion? if your phones are up to snuff, Monty Alexander’s piano, Lorin Cohen’s bass and George Fludas’ drums should lay down a seriously formidable groove. It should set something in motion.
a.10 – Depth, Music - "Tumbao De Tamborito", Jazz Descargas – The Conga Kings
Listen for the way Mario Rivera's baritone sax appears in front of the band's three conga players. The bass should be further back in the soundstage. Over the best headphones, you should also hear the entire group's sound fill the massive acoustic space oF St. Peter’s Church in New York City.
a.11 – Bass Extension, how low can you go? - "Heartbeat", Dr. Chesky’s Sound Show
Bass Extension, how low can you go? - Listening to bass over headphones is very different from listening to it over speakers. With speakers, really deep bass is a whole body experience - you feel it as much as you hear it - but good headphones can reproduce very deep bass. With these tests, you will hear 50, 40, 30 and finally, 20 hertz bass. Of course, human hearing is naturally less sensitive to very low frequencies, so even if your headphone isn’t rolling off the lowest bass frequencies, your ears will.
a.12 – Bass, Music - "Everything is Broken", Memphis in Manhatten – Billy Burnette
Bass, Music - If your headphones are really good, it should be easy to differentiate between David Roe's profoundly deep upright bass and George Ricelli's thundering bass drum. What's more, the bass should have an open and more life like quality than what you hear from comercial recordings.
Temas:
b.1 - Me, Myself I - Joan Armatrading
b.2 - Far Away - Carla Lother (24/96)
b.3 - Álbum ao vivo: "Framptone Comes Alive" - Peter Frampton (24/96)
b.4 - Wasteland (Acustico) - 10 Years
b.5 - Shape Of My Heart - Sting
b.6 - Silent Void - David Fonseca
b.7 - Rosa Branca - Mariza
b.8 - Emily - Joanna Newsom
b.9 - Symphony No 38 in D major Prague K 504 - I Adagio - Allegro - Scottish Chamber Orchestra (24/96)
b.10 - Balaclava - Arctic Monkeys
b.11 - Lotus Flower - Radiohead
b.12 - Shine On You Crazy Diamond Pt.1 - Pink Floyd
b.13 - Stay (Wasting Time) - Dave Mattews Band
b.14 - Besame Mucho - Diana Krall
b.15 - Black Magic Woman (Live) - Patricia Barber
b.16 - When Love Takes Over - David Guetta
b.17 - Satisfaction - Benny Benassi
b.18 - Almost Blue - Elvis Costello
Agradecimentos:
dei1pum
pinypon
Por disponibilizarem parte do seu material para teste.
E às nossas famílias por nos deixarem passar um dia bem passado "a brincar".
Este tópico serve apenas para perguntarem acerca dos in-ear/fontes e combinações testadas (que continuam em teste por alguns membros).
Mais tarde colocaremos os resultados do comparativo.
Notas:
- Façam sugestões por pm, pfv;
- Aceito as vossas análises desde que sejam feitas com as musicas/álbuns que indiquei (principalmente o Open Your Ears);
- Acrescentem: Vantagens, desvantagens, no que destacam, conforto/fit/preço, notas adicionais.
Sennheiser ie8 (análise)
Sennheiser CX500
Sennheiser CX310 Adidas(in-ears para desporto)
Sennheiser CX300II
Sennheiser CX270
Fisher Audio dba-02 (análise)
Ficher Audio Eterna V2
Jays q-Jays
JVC Victor FX500 (análise)
Earsonics SM3 (análise - tópico de discussão)
Earsonics SM2 (análise - apresentação)
Panasonic HJE-900 (em preparação)
Ultimate Ears Super-fi 5 (em preparação)
Apple in-ears (ADDIEM)
Klipsh Image S4 (branco)
Hifiman RE-0 (análise)(comparativo)
Phonak Audeo PFE112 (em preparação)
Xears/Playaz (vários modelos)
----------------------------------
Westone UM3x (testado no I Encontro)
Shure SE530 (não esteve)
ATH-CK10 (o pinypon apesar de não poder estar presente, também nos pode dar umas indicações acerca dos ATH)
JVC-Victor FX700 (o pinypon apesar de não poder estar presente, também nos pode dar umas indicações acerca dos Victor)
Fontes:
iPhone 3G
Sansa Clip+ (tópico)
iPod Classic 120Gb
MBP+Amarra
Sony X1050
Sony D-NE10
Participantes:
strikereg
joaocb40
MMC
Mr_John_Doe
Não pôde estar no 2º Encontro:
Gastronomic
Álbum de teste
a. - "Open Your Ears" - The Ultimate Test Disc for Headphones - HDTracks/Head-Fi
a.1 - "Spatrial Depth, it's all in your head - Percussion Imaging Test, Best of Chesky Jazz and more Audiophile Tests Volume 2
This time, we-re going by the numbers. You will hear Richard Crooks playing in a large and reverberant recording studio at 3, 6, 9 12, 15, 30 and 70 feet away from the microphone. As the distance increases, you will hear more and more room sound, that is, the sound of the drums filling the studio. Do your headphones let youhear the depth encoded into thesse recordings? The drums are also extremely dynamic. They're a tough test for any headphone and amplifier"
a.2 - Teste do imaging: "Out-of-Head Imaging" - "Gadamaylin", Of the Marsh and the Moon - I-Ching
"Out-Of-Head Imaging - The birds and low murmuring voices first heard on "Gadamaylin" should sound far away, well outside your headphgones. Later, the high ringing tones should float free in space. through the track, you should hear a marked contrast between close and distant sounds. "Gadamaylin" also has remarkable front and rear spaciousness"
a.3- Midrange Tonality, natural as can be - "Stuck in a Moment You Can't Get out Of", The Persuasions Sing U2 - The Persuasions
"It's a thrill to hear the Persuasions' pure a cappella treatment of U2's best tunes. The recording is as straight ahead as you can get - just a bunch os guys singing around a very special microphone - within the natural acoustic setting of St. Peter's Church in New York City. If your Headphones are up to snuff, the men's voices should sound like, well, voices."
a.4 - Low-Level Resolution, hearing the subtle stuff - "Money", Jazz Side of the Moon, The Music of Pink Floyd - Seamus Blake, Ari Hoenig, Mike Moreno, Sam Yahel
This is really amazing. Listen to the way Ari Hoenig's drums convey the very start of this familiar tune. The drums are way over on the right, and the subtle shading of each beat and the way they fill the acoustics of St. Peter's Church should be very clear. It's all pretty quiet stuff and a rather demanding test of your headphone and headphone amp's low-level resolution.
a.5 – Transparency, see-through sound - "Get Behind the Mule", Rough & Tough – John Hammond
Transparency, see-through sound - Low distortion plays a big part in waht audiophiles call transparency. It accounts for the sound's purity and clarity. Low noise and fast transient response are also part of the mix. Over the best headphones, Hammond's full-throated voice and clear guitar should sound fully presente and real. Of course, no headphone is perfect, but the ones that get closest to that ideal are the most transparente.
a.6 – Visceral Impact, feel the sound- "Saré Tete Wa", Love Drum Talk – Babatunde Olatunji
Visceral Impact, feel the sound - On this track, Olatunji and the other drummers' beats are as much felt as they are heard. This sort of power isn't easy to hear over headphones, but the best ones convey the drums' impact and palpable texture. The headphone amplifier can make a huge difference with this sort of demanding program material; the best headphone driven by a puny amp will constrict the drums’ power.
a.7 – Center Focus- "Texas Ranger", Four Marys – Rebecca Pidgeon
Many headphones do not localize center images well, but some tend to sound monophonically claustrophobic. That certainlyshould not be the case with Rebecca Pigdeon's track. Her voice should appear within the sounstage flanked by a fiddle and banjo. The centered voice and instruments should have equal focus and presence within the sound stage.
a.8 – Palpable Detail and Texture - "Concerto for bassoon and Orchestra, Movement 3", Urban Concertos – David Chesky
Listen for the palpable realism of the handclaps right from the beggining of the track. It's just the right combination of quick transients and tonal accuracy we're looking for. Handclaps should have a fleshy, human quality that's very distint from other percussive sounds. The bassoon’s full and rich sound isn’t the easiest to get right, but when you hear it, you’ll know it.
a.9 – Rhythm, do your headphones swing? - "Hajji Babba", Calypso Blues – Monty Alexander
Rhythm, do your headphones swing? - This one's a little touher to explain. Other aspects of sound quality are somewhat easier to quantify.Rhythm, however, is more a matter of energy and time. That is, does the music set your body in motion? if your phones are up to snuff, Monty Alexander’s piano, Lorin Cohen’s bass and George Fludas’ drums should lay down a seriously formidable groove. It should set something in motion.
a.10 – Depth, Music - "Tumbao De Tamborito", Jazz Descargas – The Conga Kings
Listen for the way Mario Rivera's baritone sax appears in front of the band's three conga players. The bass should be further back in the soundstage. Over the best headphones, you should also hear the entire group's sound fill the massive acoustic space oF St. Peter’s Church in New York City.
a.11 – Bass Extension, how low can you go? - "Heartbeat", Dr. Chesky’s Sound Show
Bass Extension, how low can you go? - Listening to bass over headphones is very different from listening to it over speakers. With speakers, really deep bass is a whole body experience - you feel it as much as you hear it - but good headphones can reproduce very deep bass. With these tests, you will hear 50, 40, 30 and finally, 20 hertz bass. Of course, human hearing is naturally less sensitive to very low frequencies, so even if your headphone isn’t rolling off the lowest bass frequencies, your ears will.
a.12 – Bass, Music - "Everything is Broken", Memphis in Manhatten – Billy Burnette
Bass, Music - If your headphones are really good, it should be easy to differentiate between David Roe's profoundly deep upright bass and George Ricelli's thundering bass drum. What's more, the bass should have an open and more life like quality than what you hear from comercial recordings.
Temas:
b.1 - Me, Myself I - Joan Armatrading
b.2 - Far Away - Carla Lother (24/96)
b.3 - Álbum ao vivo: "Framptone Comes Alive" - Peter Frampton (24/96)
b.4 - Wasteland (Acustico) - 10 Years
b.5 - Shape Of My Heart - Sting
b.6 - Silent Void - David Fonseca
b.7 - Rosa Branca - Mariza
b.8 - Emily - Joanna Newsom
b.9 - Symphony No 38 in D major Prague K 504 - I Adagio - Allegro - Scottish Chamber Orchestra (24/96)
b.10 - Balaclava - Arctic Monkeys
b.11 - Lotus Flower - Radiohead
b.12 - Shine On You Crazy Diamond Pt.1 - Pink Floyd
b.13 - Stay (Wasting Time) - Dave Mattews Band
b.14 - Besame Mucho - Diana Krall
b.15 - Black Magic Woman (Live) - Patricia Barber
b.16 - When Love Takes Over - David Guetta
b.17 - Satisfaction - Benny Benassi
b.18 - Almost Blue - Elvis Costello
Agradecimentos:
dei1pum
pinypon
Por disponibilizarem parte do seu material para teste.
E às nossas famílias por nos deixarem passar um dia bem passado "a brincar".
Este tópico serve apenas para perguntarem acerca dos in-ear/fontes e combinações testadas (que continuam em teste por alguns membros).
Mais tarde colocaremos os resultados do comparativo.
Notas:
- Façam sugestões por pm, pfv;
- Aceito as vossas análises desde que sejam feitas com as musicas/álbuns que indiquei (principalmente o Open Your Ears);
- Acrescentem: Vantagens, desvantagens, no que destacam, conforto/fit/preço, notas adicionais.
Última edição:
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