Panasonic Lumix DMC-GH1

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Review da Panasonic Lumix DMC-GH1: http://www.dcresource.com/reviews/panasonic/dmc_gh1-review

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I had an interesting chat while I was writing this with someone who is closely involved with the film production industry. He said that, as attractive as the 5D MKII was, many theatrical film cinematographers were finding that the depth of field was in fact too shallow when lenses are used wide open. If the lenses are stopped down this solves the problem, but it means that light levels on set have to be raised, which raises costs and which is against current practice of using minimal artificial lighting.

This is one of the reasons that the RED camera is popular. It has a frame size the same as APS-C and Super 35mm motion picture film. This appears to be the sweet spot for balancing depth of field and light levels. The GH1 is slightly smaller at 2X vs. RED's 1.6X but still very much in the ballpark. Sometimes one can have too much of a good thing.
 
E uma GH1 já com a tal modificação, com lente 14-140mm e acessórios desde bateria suplente e parasol a filtros por 700... que acham?
 
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