Não me serviu o carapuço, mas incomoda-me verdadeiramente a leveza com que se chama "racista" a outras pessoas apenas por discordarem de uma escolha. Muitas destas pessoas chamadas de racistas não tiveram qualquer problema com o Bayek ou a Aveline, por exemplo, por isso querer justificar a discordância com racismo não faz qualquer sentido.
Há muito ruído (e muito dele puramente racista) pela net fora à pala deste assunto. Não me parece ser o caso neste cantinho, por isso concordo com o que dizes.
Já agora, com um fato daqueles até o Emplastro fica badass
E o sistema de personalização de equipamentos, etc. permite que se "escondam" os personagens atrás de capuzes, capacetes, etc., o que também ajudará a minimizar a coisa.
[*]As the title suggests, light and dark is a major part of Assassin’s Creed Shadows’ stealth systems. A new global illumination system creates dynamic light and shadows that affect enemy vision. You can now hide in shadows and even create darkness by destroying lanterns or killing torch carriers. A light meter on the UI shows how well concealed you are, from fully visible to completely hidden.
[*]Servants are a new type of NPC, ranking between civilians and enemies. While they cannot fight, they are able to call in reinforcements and raise alarms. They have their own patrol routes, and carry lanterns at night.
[*]There is now the option to knock out foes when performing a stealth takedown, allowing for a more pacifist playthrough.
[*]You can now crawl along the ground in a prone position, allowing you to maintain a lower profile as well as get through small openings.
[*]Naoe has a grappling hook that can be attached to every roof edge, as well as a number of other anchor points. Unlike the zipline-like grappling hook from Assassin’s Creed Syndicate, this rope uses physics simulation to allow dynamic swinging.
[*]The grappling hook can be used to quickly climb into the ceiling space above corridors, allowing you to lay in wait for enemies patrolling beneath you.
[*]Eagle vision returns, allowing you to spot silhouettes of NPCs through walls. Enemies are marked in red, while the new servants are coloured orange.
[*]The drone-like bird, used in Origins, Odyssey, and Valhalla to scout out areas and mark targets, is not available in Shadows. You’ll need to do your own reconnaissance work.
[*]As a shinobi, Naoe is the most skilled at stealth. Yasuke can use stealth, but his size and armour plating means he’s better at using those skills to get the drop on targets rather than perform a fully silent infiltration.
Isso da luz faz lembrar o
stealth meter do
Splinter Cell.
O facto de já não haver milhafre para nos ajudar é desafiante, por outro lado, se o eagle eye permitir a identificação de inimigos não previamente detectados, vai dar tudo mais ao menos ao mesmo.
Pode-se deduzir que apenas a Naoe utilizará o arpão e suponho que seja bem mais fácil o parkour com ela do que com o Yasuke, se bem que nos jogos anteriores nada impedia os personagens de fazer escalada olímpica com meia armaria às costas. Idem para as acções mais furtivas.
- As a samurai, Yasuke is able to use his weapon to block incoming attacks and perform parries. Naoe is able to engage in combat, but she is unable to block or parry – instead she can ‘deflect’ enemy blows. Ubisoft didn’t clarify the difference between paries and deflects, but it may be that parries enable counter attacks while deflects are a more evasive tactic.
- Enemy armour has a durability system and can be broken during combat.
- Pretty much every prop in the game is able to be dynamically damaged by your weapons. Katanas will slice through bushes and baskets Fruit Ninja-style, leaving accurate blade marks. Arrows will leave precise puncture marks, while blunt weapons will smash pots into tiny pieces.
- Many period accurate weapons are available to use, including katanas, the kanabō war club, yari spears, shuriken, kunai, and the kusarigama (a sickle on a chain).
- Yasuke is able to use arquebus rifles, providing him with a powerful long-range option.
- Each weapon has its own skill tree. Investing time into using a particular weapon will improve your proficiency with it.
- You can craft your own katana from gathered components and personalise it. A transmog system will also allow you to tailor your gear to look exactly how you want it.
- Active combat skills return and are unlocked by finding Ninja Scrolls in the world.
- Yasuke and Naoe have individual skill trees and gear, but share XP, collected weapons, and resources.
Dodge e parry com fartura, ou deflect, dependendo do personagem. Nunca fui muito de jogar com escudos (sem ser ofensivamente), pelo que isto agrada-me.
A parte da durabilidade das armaduras é também uma boa notícia, sobretudo se for para contrariar o "efeito esponja" de certos combates.
A parte da skill tree nas armas é interessante mas espero que não esteja "presa" a um
farmfest para poder aceder a habilidades interessantes.
A xp partilhada é uma excelente notícia, assim dá para alternar entre personagens sem a preocupação de um estar em desvantagem em relação ao outro.
Dynamic World and Seasons
- Assassin’s Creed Shadows is built upon a newly updated version of the Anvil game engine. The new tech allows for better lighting through global illumination, the new breakable props, more detailed asset meshes, and much less pop-in.
- The new Anvil upgrade has allowed for a season system that sees the world progress through spring, summer, autumn, and winter. The current season is dictated by your progress through the campaign in order to maintain historical accuracy, but there are ‘steps’ that each period goes through to create a sense of authenticity.
- Each season comes with unique features that link to gameplay. For example, in the spring and summer when plants bloom and flower, there will be bushes and long grass to hide in. Later, in autumn and winter, those plants will die and thus remove hiding spots. Water also freezes in winter, which prevents you from entering pools and ponds. Icicles will form on rooftop edges and can fall if disturbed, potentially giving away your position.
- Seasons also affect NPC behaviours. In the summer, enemy samurai cut through bushes in search of you. In the winter, foes stay close to fires and warm places, potentially opening up new, colder paths for you to take.
- A fully dynamic weather system provides appropriate climate conditions based on both the region and season. Severe weather, like deep fog, howling winds, and snow impacts enemy sight and sound. A storm is an opportunity to mask your footsteps.
- The world features a surprisingly detailed ecology system. In spring, for instance, wind will blow gusts of pollen that have been spawned by trees, replicating a real ecosystem.
- The map is similar in size to that featured in Assassin's Creed Origins, and replicates the central region of Japan.
- The map is divided into regions based on Japan’s real historical provinces, including Iga (the home of the shinobi), Arima (the location of a major battle), and Omi (an agriculture “bread basket” region.)
- The iconic synchronisation points return, but in a reimagined way. Climbing to the top no longer plots a multitude of icons on your map, nor does it trigger the spinning ‘drone’ shot of the area. Instead, from this vantage point you’re able to survey the area for highlighted points of interest, which you can then seek out when back on the ground. Ubisoft expressed a wish for there to be less icons this time around, and so this appears to be one way of fulfilling that. Thankfully, despite this slight change, synchronisation points still act as fast travel locations.
- Shadows is set during a time of flourishing urbanisation, trade, and warfare. This allows for a wide range of locations, including towns, trading posts, farm land, and colossal castles that have been rendered at near 1:1 scale. Beyond these settled areas are mountains and forests.
Muito bom. Se estiver a chover a potes as rondas também deverão ser menos demoradas, o que permite planeamento e acção mais rápidos, em vez de se estar à espera do passo lento de alguns guardas molengões.
Assassinations and Quests
- Shadows features a non-linear campaign largely focused on targets. Ubisoft says that you will be free to track these targets in any order.
- Some targets simply exist in the world and you may stumble upon them organically, without having researched and hunted them first. Others have more structured infiltration-style gameplay attached to them.
- Ubisoft aims to create a more rewarding journey by being a little more hands-off. While the campaign is still objective-focused, the studio hopes to enable more player autonomy by using hints to push players in the right direction rather than outright telling them where to go next.
- Most main quests can be completed as either Yasuke or Naoe, allowing for freedom of approach. However, both characters also have their own specific missions playable only by them, as well as bespoke introduction quests.
- Side quests and world activities are available beyond the main campaign. Notable things to find in the world include castles, temples, shrines, and art.
- You can build up a spy network, with agents who can be sent on missions to gather intelligence on your targets.
- There is a hideout where you and your allies can gather.
Um sistema de
bouty hunting, praticamente.
Hmm.. era espectável que a ser um duo de personagens ao invés de um único personalizável que ambos tivessem honras de representação na história, ainda para mais quando um deles é historicamente real.
Desde que sejam pontuais e não nos impeçam de progredir, não vejo nada contra.
Tem de facto bastante potencial e certamente que uma das versões completas virá cá para casa.
@Enchullibung mas isso acontece agora? Desconhecia.
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